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Crumple Lamp Small
Crumple Lamp Small: h120 w130 d130 (mm)
標準プラグ：引っ掛けシーリング（ダクトレール対応可能）
コードの長さ：100cm~30cmで調節可能
2024
Photo: Miki Nanbu
標準プラグ：引っ掛けシーリング（ダクトレール対応可能）
コードの長さ：100cm~30cmで調節可能
2024
Photo: Miki Nanbu
Wiggle Stake
Wiggle Stake
Various lengths is available
2024
Photo: Miki Nanbu
Various lengths is available
2024
Photo: Miki Nanbu
Offcut Twisty Cup
Offcut Twisty Cup
Various size is available
2024
Photo: Miki Nanbu
I was making those for fun while a furnace in the school was off. Those canes are from offcut canes of Wiggle Stakes - Inconsistency (amount of glass, colour density) forces me difficult to make something out of those canes. Twisting helps me make this easier for giving mildness of colour displint, yet difficult in technical-wise. But you know...genuine glassblowing is fun!
Various size is available
2024
Photo: Miki Nanbu
I was making those for fun while a furnace in the school was off. Those canes are from offcut canes of Wiggle Stakes - Inconsistency (amount of glass, colour density) forces me difficult to make something out of those canes. Twisting helps me make this easier for giving mildness of colour displint, yet difficult in technical-wise. But you know...genuine glassblowing is fun!
LAMP Smoke Blue and Olive Brown,Olive and Fuchsia Light
“Toyama KOGEI challenge project“ aims to create collaboration work between 10 craft Artists under 35 and 10 craft industry studios or companies in Toyama area. Collaboration work with Heiwa Gokin (Takaoka, Toyama)organized by Toyama Prefecture
2024
Photo: Miki Nanbu
2024
Photo: Miki Nanbu
LAMP Smoke Blue and Olive Brown,Olive and Fuchsia Light
2024
Photo: Miki Nanbu
Photo: Miki Nanbu
smush vase
h180 w110 d110 (mm)
2023
Photo: Kichiro Okamura
2023
Photo: Kichiro Okamura
Crumple Pot , Small and Medium
Crumple Pot Small: h120 w130 d130 (mm)
Crumple Pot Medium: h160 w170 d170 (mm)
2023
Photo: Kichiro Okamura
Crumple Pot Medium: h160 w170 d170 (mm)
2023
Photo: Kichiro Okamura
Crumple Pot Small with Wiggle stake
Crumple Pot Small: h120 w130 d130 (mm)
Wiggle stake: 40cm, Various lengths is available
2023
Photo: Kichiro Okamura
Wiggle stake: 40cm, Various lengths is available
2023
Photo: Kichiro Okamura
Colour bar goblet: R072 celadon
2021
Photo: Dean Toepfer
Photo: Dean Toepfer
Colour bar goblet R072 celadon / G072 scarlet / R721 orange yellow / R081 pastel blue
2021
Photo: Dean Toepfer
Photo: Dean Toepfer
Colour bar goblet: R072 celadon
2021
Photo: Dean Toepfer
Photo: Dean Toepfer
Colour bar goblet: G072 scarlet
2021
Photo: Dean Toepfer
The Colour Bar goblet embraces a playful homage to the uniqueness of glass as a material, defined by its unparalleled fluidity in form. In making glass, colour is introduced through a condensed bar of material that is chopped, heated and applied to a molten glass bubble. The moment of adding colour brings a great sense of excitement, possibility, anticipation and wonder – and it is this moment which has been so distinctively captured through the celebration of raw colour bar material at the centre of this goblet design.
Photo: Dean Toepfer
The Colour Bar goblet embraces a playful homage to the uniqueness of glass as a material, defined by its unparalleled fluidity in form. In making glass, colour is introduced through a condensed bar of material that is chopped, heated and applied to a molten glass bubble. The moment of adding colour brings a great sense of excitement, possibility, anticipation and wonder – and it is this moment which has been so distinctively captured through the celebration of raw colour bar material at the centre of this goblet design.
Commission work: Local Actual
2020
Styling:Nat Turnbull
Photo: Sam Wong
Local Actual is a design and retail experiment, championing principles of circular design, sustainability, locality and experimental materiality within useful, everyday products. It seeks to acknowledge the urgencies of our times by working with Australian artists and designers who engage with social and environmental realities through their work.
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•
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quotes from Local Actual (www.localactual.com)
COLLECTION PREVIEW: For Local Actual, glass artist Ayano Yoshizumi made a special alternative run on her Stack Planters. These planters instead incorporate recycled glass cullet from waste and broken glass, collected from her studio in the Jam Factory. The recycled glass emphasises each planters’ unique nature, and gives the usually-smooth surface a cobbled, textural quality.
Ayano wishes to explore the possibilities of glass as a circular material, and as such has offered to take back any planters when they reach the end of their lives with you, to be reused as glass frit.
Styling:Nat Turnbull
Photo: Sam Wong
Local Actual is a design and retail experiment, championing principles of circular design, sustainability, locality and experimental materiality within useful, everyday products. It seeks to acknowledge the urgencies of our times by working with Australian artists and designers who engage with social and environmental realities through their work.
•
•
•
quotes from Local Actual (www.localactual.com)
COLLECTION PREVIEW: For Local Actual, glass artist Ayano Yoshizumi made a special alternative run on her Stack Planters. These planters instead incorporate recycled glass cullet from waste and broken glass, collected from her studio in the Jam Factory. The recycled glass emphasises each planters’ unique nature, and gives the usually-smooth surface a cobbled, textural quality.
Ayano wishes to explore the possibilities of glass as a circular material, and as such has offered to take back any planters when they reach the end of their lives with you, to be reused as glass frit.
Commission work: Local Actual
2020
Styling:Nat Turnbull
Photo: Sam Wong
Styling:Nat Turnbull
Photo: Sam Wong
Ishime Vase small
h80 w85 d85 (mm)
2020
Photo: Pippy Mount
2020
Photo: Pippy Mount
Stack Planter
2020
Stack Planter aims to push the boundaries of glass as a material for planter pots. It utilises playful, viblant, glass colours and shapes to harmonise with contemporary interior design. This design aesthetic comes from my experience of living in Australia, which has exposed me to vivid and bright colours from the surrounding environment, and from Japanese Minimalism, which celebrates simplicity. The design is a combination of a planter and a saucer- these can be arranged in a variety of combinations to complement an interior palette, allowing the end-user to tailor the design of the Stack Planter. The Stack Planter highlights ethical making practices in contrast to mass-production.
Stack Planter aims to push the boundaries of glass as a material for planter pots. It utilises playful, viblant, glass colours and shapes to harmonise with contemporary interior design. This design aesthetic comes from my experience of living in Australia, which has exposed me to vivid and bright colours from the surrounding environment, and from Japanese Minimalism, which celebrates simplicity. The design is a combination of a planter and a saucer- these can be arranged in a variety of combinations to complement an interior palette, allowing the end-user to tailor the design of the Stack Planter. The Stack Planter highlights ethical making practices in contrast to mass-production.
Stack Planter Group
Small: h200 w170 d170 (mm)
Large: h220 w190 d190 (mm)
2020
Photo: Pippy Mount
Large: h220 w190 d190 (mm)
2020
Photo: Pippy Mount
Stack Planter Detail
2020
Photo: Pippy Mount
Photo: Pippy Mount
Grey Rock Glass
h90 w90 d75 (mm)
2019
2019
SAKE Set
Decanter(Tokkuri) and Small Cup for Sake
Tokkuri: h140 w70 d70 (mm)
Sake Cup: h70 w60 d60 (mm)
2018
Tokkuri: h140 w70 d70 (mm)
Sake Cup: h70 w60 d60 (mm)
2018
SAKE CUP
h70 w60 d60 (mm)
2018
2018
Painted Tea Bowl Group
2015
Painted Tea Bowl Red
h80 w150 d150 (mm)
2015
2015
Painted Tea Bowl Clear
h90 w130 d130 (mm)
2015
2015
Island without Green
2012
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